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“The 303 has become the electric guitar of electronic dance music” – Honeysmack
Decoded returns to Brighton Music Conference with Berlin Brighton and Timo Maas
Lee Burridge and Lost Desert discuss their latest EP and all things All Day I Dream
Aidan Doherty gives an insight into running the hugely successful Warm Up events and discusses the upcoming Warm Up Festival
Australia’s Electronic Music Industry unites. Your guide to supporting bushfire appeals
“I prefer to think that every single like or follower I have on my social media is actually someone who searched for my name and decided to like or follow because they actually like my music” – Fulltone
“I am so proud and excited to be part of the LA scene today. These days it is supported, appreciated, and nourished more than ever.” – Tara Brooks
Why there’s not a sequin in sight at Late Nite Tuff Guy’s disco revolution…
“Besides my surroundings, I think the most influential aspects of my art is imagination, spirituality, and psychedelia” – Öona Dahl
“We progressed into breaks and shapeshifted into electro – we went funky, we went dark, we went proggy” – Infusion
EMC announces over 65 new speakers
Decoded joins ICONYC TV and Denon DJ for an exclusive global TV series
“Music is not a competition at all, and the only one whom you compete with is yourself” – Squire
Coyu – ‘You Don’t Know’ Album Feature
“I made a couple of tracks (‘The Way’ LP) at a friend’s place on a hillside in Mauritius on a Void sound system blasting through the wild, which was pretty surreal” – Julien Chaptal
Your guide to Amsterdam with Hosh, Magdalena, Edwin Oosterwal, Marcel Fengler and SAMA
Poker Flat Recordings 20th anniversary label feature with Steve Bug
Seven Villas Music label feature with Pablo Bolivar
“There’s a lot of different anecdotes for freedom. There is freedom of expression, there’s freedom to be you, and I just think it’s a message that the world needs to hear” – David Morales
“I have always believed that when the music’s good it speaks for itself and is enough but unfortunately due to the mass of music, productions, and tools this is only applicable to a certain extent” – Martin Roth