Dekmantel unveils Parrish Smith album ‘Light Cruel & Vain’ LP 

Parrish Smith is never one to let you breathe easy. As a globally renowned DJ, he’s become synonymous with high-velocity sets that cut and collide through his distinct array of obscure sounds. Meanwhile, however, the artist has been carefully constructing his own musical idiom. Manoeuvring his most delicate and most defiant feelings, Light Cruel & Vain (Dekmantel Records, 2022) is the first fruit of that painstaking process. A compilation of ‘imperfect music’, the record is shrouded in the artist’s characteristic veil of mystery. As always, his sound cuts and chokes – sometimes cruelly, sometimes soothingly – yet this record offers a new, longer, lighter gulp of air. Here, Parrish Smith bares his most private process so far: one of personal transformation and becoming a better version of oneself.

Light Cruel & Vain was developed over the course of nearly three years, following nearly a decade of individual experimentation. Where on the one hand, LC&V reflects an inward pilgrimage (aka Parrish Smith facing the world and Parrish Smith facing Parrish Smith), the project simultaneously reflects the birth and growth of a band. Each track on the record is originally based on a solo idea, moulded and fine-tuned in conversation with contributing musicians Sofiane Brahmi and Javier Vivancos, then finalized by the producer. The collaborative process brought together niches that wouldn’t typically share territory or sound, allowing music to emerge that transcends each of their boundaries. In the making of LC&V no conventional studio sessions occurred; due to covid-19, the full collaboration process was a remote affair of sharing snippets, (re)working recordings and, most of all, exchanging thoughts and feelings.

Those who know Parrish Smith a little, know his long-standing mantra: ‘No elitism, no prejudices, no genre. Hypnotic, tense, comprehensible – a state of mind.’ It’s this dictum that best describes the LC&V sound(s). Tapping into all irreverent niches close to his heart – noise, punk, industrial, electronic, and even pop – Parrish Smith refuses to foreground one influence over another, instead layering and warping his personal interpretations of each. To categorize his seeking sound would be to limit the artist who, more than anything, thrives in limbo. ‘You could call it a concept album because the sounds are so far apart. But perhaps that’s not a concept, perhaps that’s just me…’

Parallel to his extensive musical experimentation, the past years have allowed Parrish Smith to zoom in on his writing. The resulting fragments form the foundation of LC&V’s collage-like, soul-searching lyrics. Never, however, does the artist take his words to the front of stage; instead treating his voice as a malleable instrument, just one of many shifting layers in a bigger picture. The distorted lyrics, as such, are an statement: ‘It’s alright to be insecure about some of your qualities. In fact, the key is to embrace just that, to take matters into your own hands.’

It is on Never Break Faith, the symbolic middle of LC&V as well as the first album single, that the artist’s message is most discernable. Not coincidentally, Parrish Smith describes this raw battle anthem as his album epitome. Never Break Faith ­­– both the track and its accompanying video – depicts the story of Parrish Smith finding success as an artist and navigating life’s constant battle between the ego (fed by society’s impossible demands) and the true self. While the artist’s vision of a “perfect world” crumbles, will he be able break the chains of ignorance and superficiality, and instead embrace the scars? ‘Never Break Faith deals with your daily fights and, blind to what’s ahead, choosing not to take the easy road. Because that road of suffering is, undoubtedly, the road to salvation. The message is simple, really… When you look at the world around you there’s a lot to be afraid of – but even when you’re born into darkness, a tiny gleam of light will fully open up your eyes.’

Available to pre-order via bandcamp

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About the Author

Loves long walks along the beach, holding hands and romantic 80's power ballads, partial to electronic music and likes to make the odd mix or two.